Alternatively, you can apply compression in a way that highlights transients, making the kick even punchier. If you set a band’s center frequency to 160 Hz and apply peak compression to the transient kick, you’ll be able to tuck it into the mix. Perhaps you’re mastering a song, and the entire track sounds good, but every time the kick hits around 160 Hz, it’s too punchy. iZotope - Ozone 8 Dynamics (Best Multiband Compressor) - $249 If you can only afford one compressor, get the FabFilter Pro-C 2. It’s the Frank’s RedHot of compressors and sounds good on just about anything. When I’m looking for a reliable compressor that will undoubtedly perform well, I reach for FabFilter’s Pro-C 2. There’s an Audition button that solos audio triggering the compressor, a Mix setting that scales the gain change from 0% to 200%, smooth lookahead up to 20 ms, up to 4x oversampling, a custom knee, and loudness level meters.
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The Pro-C 2 includes a sidechain EQ section with customizable high-pass and low-pass filters, plus an additional freely adjustable filter. Each algorithm provides a unique style of compression, so the Pro-C 2 is like 8 compressors in one.įabFilter has included all the features you could wish for in a digital plugin compressor. It provides 8 different compression algorithms that include Clean, Classic, Opto, Vocal, Mastering, Bus, Punch, and Pumping.
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If you’re looking to upgrade from your digital audio workstation’s stock compressor, the FabFilter Pro-C 2 is a versatile option.